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El interior del templo se divide en tres naves. Begun in the midth century, it quickly became the prototype Baroque church. Known as triunfos, they commemorate the promise to protect the city that the people of Cordoba attribute to the Saint.

The decorative ceilings and plasterwork in the refectory are also of Mudejar style. De original fachada principal. These buildings have a distinct Romanesque feel combined with Gothic and Moorish elements.

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Also worthy of note is the exuberant decoration of its altarpiece and the mural paintings by Antonio Palomino, showing scenes from the Old Testament. Worthy of note in the portico is a beautiful rose window of interlacing columns. In several places in the city we can find a statue of San Rafael on the capital of a votive column.

Not having direct access from the street, its structure can hardly be seen from outside.

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The graves of famous people buried here include are those of bullfighters Manolete, Guerrita, Lagartijo and Machaquito, politician Jose Cruz Conde or painter Mateo Inurria, among others. In front is the square-shaped main area, are bart and geo dating decorated with stylised Mudejar plant motifs. La cabecera tiene restos de pintura mural. It has an interesting baptistery covered by an attractive Mudejar cupola.

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It is the only testament to Jewish heritage in the whole of Andalusia. Its Gothic origins have been enriched by later Renaissance and Baroque additions. The main entrance is covered by a portico with three arches. Inside, the church is divided into three naves.

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It has recently been restored to its original architectural features. Inside is a beautiful Carrara marble PaleoChristian sarcophagus.

The most noteworthy is located next to the Puerta del Puente. The coat of arms of the family who donated the building can be seen on several ceilings and walls. La fachada posee dos campanarios y en su interior destacan sus paredes repletas de pinturas al fresco.

The main door, located at the narthex, boasts a beautiful rose window while the right side entrance presents diamond-point decoration and it is dated as the oldest church door in Cordoba. Comprising a bench, two bodies and a top, the retable is a perfect combination of architecture, painting and sculpture.

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The interior is made up of a single nave with crossed vaulting on the ceiling, and features fine plasterwork and a tiled plinth. Some of the original features survive in the cloisters, such as the impressive Mudejar gate and Roman, Visigoth and Islamic capitals. The stone entrance has a triangular pediment and a balcony above it. The cloister of this restored convent church -with a Baroque portico- imbues this part of Cordoba with an almost romantic air. Next to the sanctuary stands the shrine dedicated to the Virgin of la Fuensanta.